Film Noir的代表作几乎演绎出所有黑色电影的经典桥段比利怀尔德运用教科书上的各式美学技巧表现手法融合诗意现实主义和德国表现主义光影是核心男主角从光明逐渐走向黑暗而当他彻底道德沦丧后墙上黑色的影子正象征着他黑化的灵魂已挣脱了躯体让犯罪者自述罪行观众不止是目睹罪案的发生更是在体验罪犯的视角和心境经历他们良知一点点被腐蚀屈服于最原始的愿望人物一旦陷入贪婪的黑洞就不可避免地走向绝望的深渊希区柯克:在翁熄乩伦小说目录之后好莱坞最重要的两个字是Billy wilder
Forgive me for not able to empathize with Jia more but the film fails to make me feel something for him. A shallow, superficial display of a lone, alienated, cosplay male who idolizes among other things Taxi Driver is just not very interesting anymore, even though it's still a societal problem larger than many may be willing to admit. The formal gimmick feels just like a gimmick.